The World Poker Tour recently released the third in its series of books on 
poker, In the Money by Antonio “The Magician” Esfandiari. The book takes a 
different approach than many of the recent poker books on the market, 
providing readers with a guide on how to become a winning Texas Hold’em cash 
game player.By eliminating the tournament aspect of poker, the format of the 
book allows Esfandiari to focus solely on the game itself, rather than the 
extra factors a tournament brings, such as chip stacks, increasing blind 
levels, and tournament payouts.
Perhaps the best part of the book, however, is its voice. Esfandiari fills 
the book with stories about the games he’s played and the friends he’s made. 
Whether it’s a heads-up match with Phil Hellmuth to determine his fee for a 
magic show or the story about how he won the first poker tournament he 
entered, In the Money is an entertaining read. Phil “The Unabomber” Laak 
gives the reader an insight into Esfandiari’s personality in the foreword, 
while Hellmuth and Annie Duke also provide interesting stories about the 
author.
Esfandiari spends one chapter detailing the differences between Limit and No 
Limit Hold’em. The concrete examples are excellent, such as how to play 
pocket fives in late position, or the effect of a raise in Limit vs. No 
Limit. Esfandiari explains the phrase “Limit Hold’em is a science, No Limit 
Hold’em is an art,” and he makes it clear that he prefers the No Limit 
version. No Limit Hold’em, in Esfandiari’s view, requires more skill, and is 
also much more rewarding.
Esfandiari goes back and forth between Limit and No Limit Hold’em when 
describing how to play each part of the hand. The transition, or lack 
thereof, can be a bit confusing, and one can’t help but think that these 
topics should have been covered in separate books. Esfandiari may have been 
better served with a focus solely on No Limit Hold’em.
After discussing how to play in given situations, Esfandiari offers advice 
on more abstract parts of the game, such as establishing a table image and 
identifying the texture of the game (i.e. passive vs. aggressive). While the 
section lacks specific guidelines, Esfandiari explains that these aspects of 
poker can only be mastered with time and practice, and are therefore hard to 
glean from a book.
Overall, the poker advice is a little thin, but it’s the perfect combination 
of strategy and entertainment for someone just getting serious about the 
game. Intermediate players will find a few nuggets of wisdom while getting a 
refresher course, but players with a great deal of experience should look 
elsewhere for advanced strategy. 
